Erin Mitchell (b. 1989, California, USA; she/her) is a multidisciplinary artist based in Berlin, Germany. Her work focuses on the ways nature and wellness ideologies are manipulated in the context of ‘tech-topian’ neo-corporate aesthetics.

Her work has been exhibited internationally in solo and group exhibitions including Kreuzberg Pavillon, Berlin (2021), Anonymous Gallery, New York (2021); Virginia Bianchi Gallery, Bologna (2021); Centre Del Carme, Valencia (2019); Harlesden High Street with isthisit?, London (2019); Galerie Manqué, New York (2019); Off Site Project, London (2019); Exgirlfriend Gallery, Berlin (2018); and Kunstpunkt Galerie für Aktuelle Kunst (2017).

She curated the virtual speaking conference ▇xTheWrong as part of The Wrong Biennale (2019). Her work is held in the collection of Lawrence B. Benenson, member of the MoMA Board of Trustees.

Solo Exhibitions
A Prime Dystopia, Kreuzberg Pavillon︎︎︎, Berlin, Germany, 2021

Organic Engagement, Virginia Bianchi Gallery︎︎︎, Online Exhibition, 2021, Press Release︎︎︎

Welcome to Green®, Off Site Project︎︎︎, Online Exhibition, 2019

Next Nature, Institut für Alles Mögliche︎︎︎, Berlin, Germany, 2017

Uncanny Valley, SomoS︎︎︎, Berlin, Germany, 2017, Press Release︎︎︎

Virtual Prism, Hang Art Gallery︎︎︎, San Francisco, California, United States, 2015

Broadcast Incertitude, Front/Space︎︎︎, Kansas City, Missouri, United States, 2013

2-Person Exhibitions
Select Group Exhibitions
The Terminal: Human Shaped Whole, Anonymous Gallery︎︎︎, New York, New York, United States, 2021, Press Release︎︎︎

Epicentre, The Wrong Biennale, Centre del Carme Cultura Contemporània︎︎︎ in conjunction with The Wrong︎︎︎, Valencia, Spain, 2019, Press Release︎︎︎

▇xTheWrong︎︎︎, The Wrong Biennale, The Wrong︎︎︎, Online Exhibition, 2019, Press Release︎︎︎

Exgirlfriend Grand Re-Opening and Retrospective Exhibition, Exgirlfriend Gallery︎︎︎, Berlin, Germany, 2019, Press Release︎︎︎

Late Stage, Galerie Manqué︎︎︎, New York, New York, United States, 2019, Press Release︎︎︎

Trust is the Ultimate Currency, Harlesden High Street︎︎︎ in collaboration with isthisit?︎︎︎, London, United Kingdom, 2019, Press Release︎︎︎

When I Grew Up (my own private ZAD by the sea)︎︎︎, Data Rhei︎︎︎ in conjunction with isthisit?︎︎︎, Online Exhibition, 2018, Press Release︎︎︎

APEL, The Wrong Biennale, The Wrong︎︎︎, curated by Guest Room Project Space︎︎︎, Carrboro, North Carolina, United States, Online Exhibition, Press Release︎︎︎, 2018

Good Friends, Kunstpunkt Galerie für Aktuelle Kunst︎︎︎ in conjunction with Keum Art Projects︎︎︎ and the Institut für Alles Mögliche︎︎︎, Berlin, Germany, Press Release︎︎︎

2015 Benefit Art Auction︎︎︎, Headlands Center for the Arts︎︎︎, San Francisco, California, United States, 2015

Summer Party Benefit Auction, Museum of Fine Arts︎︎︎, Boston, Massachusetts, United States, juried by Jen Mergel︎︎︎, Beal Senior Curator of Contemporary Art, 2014

Point of No Return, Southern Exposure︎︎︎, San Francisco, California, United States; juried by Hesse McGraw︎︎︎, Chief Curator of Contemporary Art at the Bemis Center for Contemporary Art︎︎︎, 2012, Press Release︎︎︎

Visions of Yore, Gallery Hijinks︎︎︎, San Francisco, California, United States; juried by Emily Lakin, Community Director, Yerba Buena Center for the Arts︎︎︎, 2012

Building New Traditions: 9th National Print Competition, Janet Turner Print Museum︎︎︎, California State University, Chico, California, United States; juried by Franklin Sirmans︎︎︎, Department Head and Curator of Contemporary Art at Los Angeles County Museum of Contemporary Art︎︎︎ (catalogue), 2012

Collision and Equilibrium: American Youth Printmaking Exhibition︎︎︎, Shanghai Youth Biennial, Liu Haisu Art Museum ︎︎︎, Shanghai, China (catalogue), 2011

Tempting Equilibrium: SGC International Juried Exhibition︎︎︎, Des Lee Gallery︎︎︎, St. Louis, Missouri, United States; juried by Mark Pascale, Associate Curator of Drawings and Prints, Art Institute of Chicago︎︎︎ (catalogue), 2011

Los Angeles Music Center Spotlight Awards for Young Artists︎︎︎ Visual Arts Honorary Exhibition, Bergamot Station Arts Center︎︎︎, Santa Monica, California, United States, 2007

isthisit? Issue 06 (Edition of 100), isthisit?︎︎︎, 2019, Press Release︎︎︎, Downloadable PDF︎︎︎

Fresh Air, compiled by Mara Oscar Cassiani︎︎︎, presented at Sprint Milano︎︎︎, Milan, Italy, 2017

Residency, Institut für Alles Mögliche︎︎︎, Berlin, Germany, 2017

Residency, SomoS︎︎︎, Berlin, Germany, 2017

Residency, Kala Art Institute︎︎︎, Berkeley, California, United States, 2011

Curatorial Projects
▇xTheWrong︎︎︎, The Wrong Biennale, The Wrong︎︎︎, Online Exhibition, 2019-2020, Press Release︎︎︎

Meier, Anika. Wallet Art. Der perfekte Loop︎︎︎. KUNSTFORUM International︎︎︎. 21.11.2021.

Benaglia, Sara. Intervista con Virginia Bianchi — VBG︎︎︎. ATP Diary︎︎︎, 22.07.2021  

Wallerstein, Wade, ONLINE: “Organic Engagement”︎︎︎, Silicon Valet︎︎︎, 29.04.2021

Kalinovski, Roman, Three Physical Digital Art Exhibitions in New York︎︎︎, Arcade Project︎︎︎,  20.04.2021

Wallerstein, Wade, NEW YORK, NY & ONLINE: “The Terminal: Human Shaped Whole”︎︎︎, Silicon Valet︎︎︎, 20.04.2021

Ríos, Doreen, A., Semana 269_1: The Terminal: Human Shaped Whole︎︎︎, ANTImateria︎︎︎, 19.04.2021

Erin Mitchell: Organic Engagement︎︎︎, Pikasus ArteNews, 12.04.2021

Ríos, Doreen, A., Semana 202_1: ▇xTheWrong︎︎︎, ANTImateria︎︎︎, 30.12.2019

Wallerstein, Wade, NEW YORK, NY: ‘Wellness, Ltd.’︎︎︎, Silicon Valet︎︎︎, 11.11.2019

David, Marcus, Late Stage at Galerie Manqué︎︎︎, Arteidolia, 06.2019

Yas Vimmin212, Trust is the Ultimate Currency at Harlesden High Street︎︎︎, KunstReview, 04.2019

Ong, Jyni, The latest issue of isthisit? seeks to answer why some news has become untrustworthy︎︎︎, It’s Nice That︎︎︎, 13.03.2019

Kahlich, Susie, Art 62 - Rosebud︎︎︎, Artipoeus︎︎︎, 02.2019

Trust is the Ultimate Currency at Harlesden High Street / London︎︎︎, Ofluxo︎︎︎, 01.2019

Trust is the Ultimate Currency at Harlesden High Street︎︎︎, Daily Lazy︎︎︎, 01.2019

'Trust Is The Ultimate Currency', a Group Show Curated by Bob Bicknell-Knight at Harlesden High Street, London︎︎︎, Tzvetnik︎︎︎, 01.2019

Trust is the Ultimate Currency︎︎︎, Tique︎︎︎, 01.2019

Exgirlfriend Re-Opening and Retrospective Exhibition︎︎︎, AQNB︎︎︎, 20.09.2019

Batycka, Dorian, Weekly Roundup (29 March 2018)︎︎︎,  BLOK Magazine︎︎︎, 29.03.2018

Hampton, Chris, What's Right About The Wrong Biennale︎︎︎, The New York Times︎︎︎, 22.01.2018

Lovric, Adela, Tips 30.08-12.09︎︎︎, Bpigs: Berlin Independents Guide︎︎︎, 30.08.2017

Aqua Art Miami 2014 closes with record attendance and sales for10th anniversary edition︎︎︎, ArtFixDaily, 10.12.2014

Brinklow, Adam L., Southern Exposure Debuts 'Point of No Return'︎︎︎, San Francisco Informer, 17.12.2012

Novak, Candice, It's the end of the world as we know it. How do you feel?︎︎︎ ArteryNYC, 11.12.2012

Delaunay, Monique, Gallery Hijinks: Visions of Yore︎︎︎, San Francisco Art Enthusiast, 16.07.2012

Lawrence B. Benenson, Board of Trustees︎︎︎, Museum of Modern Art︎︎︎, New York, United States